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入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)陌陌影视陌陌影视樱花影院6080影院黄石：1883铁面人1939我们窃取秘密维基解密的故事心火(1997)待到重逢时朱迪听见座头市的歌声查老铁大战丧尸街友爸爸不朽的你美丽的声音决战中途岛 （国语版）请在T台上微笑梦二焦土作战战地军魂艾琳2023高空惊魂飞越谜情国语罗密欧与朱丽叶1936继母与女儿之间的小休止复仇杀神家有儿女初长成
入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)陌陌影视陌陌影视樱花影院6080影院黄石：1883铁面人1939我们窃取秘密维基解密的故事心火(1997)待到重逢时朱迪听见座头市的歌声查老铁大战丧尸街友爸爸不朽的你美丽的声音决战中途岛 （国语版）请在T台上微笑梦二焦土作战战地军魂艾琳2023高空惊魂飞越谜情国语罗密欧与朱丽叶1936继母与女儿之间的小休止复仇杀神家有儿女初长成