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入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)陌陌影视陌陌影视樱花影院6080影院挂帅W谋杀案我的恋爱法则盲证印度版红爪子帝国时代：亚洲王朝亡魂岛性爱狂想曲死亡挑战行动白鹿原阿登的狂挫龙门秘指星际旅行：下一代第五季摩登情爱第二季人生的约定安德鲁·舒尔茨：这就是人生幽幻道士四次追爱大作战金发梦露魅妆故园风雨后2008家庭之友成人记2
入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)陌陌影视陌陌影视樱花影院6080影院挂帅W谋杀案我的恋爱法则盲证印度版红爪子帝国时代：亚洲王朝亡魂岛性爱狂想曲死亡挑战行动白鹿原阿登的狂挫龙门秘指星际旅行：下一代第五季摩登情爱第二季人生的约定安德鲁·舒尔茨：这就是人生幽幻道士四次追爱大作战金发梦露魅妆故园风雨后2008家庭之友成人记2