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入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)陌陌影视陌陌影视樱花影院6080影院特许经营者必须死！莫斯科保卫战生活残骸妈妈别哭2012汉武大帝狂杀惊魂六叠间的钢琴家法老刺客列传之龙血玄黄夜游人灵魂的救赎绝望主妇 第六季我疯狂的土耳其婚礼（国语版）双凤奇案浪客剑心 最终章幸福满屋血中血人与狗迷宫饭魔鬼的眼泪少狼 第五季新包青天之南侠迷案非狐外传不忠行尸走肉：死亡之城第一季
入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)陌陌影视陌陌影视樱花影院6080影院特许经营者必须死！莫斯科保卫战生活残骸妈妈别哭2012汉武大帝狂杀惊魂六叠间的钢琴家法老刺客列传之龙血玄黄夜游人灵魂的救赎绝望主妇 第六季我疯狂的土耳其婚礼（国语版）双凤奇案浪客剑心 最终章幸福满屋血中血人与狗迷宫饭魔鬼的眼泪少狼 第五季新包青天之南侠迷案非狐外传不忠行尸走肉：死亡之城第一季