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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?陌陌影视陌陌影视樱花影院6080影院宝刀未老2003董小姐每天都过情人节街角洋果子店澳门雨清醒梦之马桶睡美人雀圣2：自摸天后原来是老师啊！大唐重案组2025漫城2025维多利亚一号粤语雨中曲一千零一夜智慧风暴回到太空 Return to Space人鱼2022虎之日气壮山河梦女孩自由之路无间之战江山美人1959尸潮汹涌地下忍者笑太极
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?陌陌影视陌陌影视樱花影院6080影院宝刀未老2003董小姐每天都过情人节街角洋果子店澳门雨清醒梦之马桶睡美人雀圣2：自摸天后原来是老师啊！大唐重案组2025漫城2025维多利亚一号粤语雨中曲一千零一夜智慧风暴回到太空 Return to Space人鱼2022虎之日气壮山河梦女孩自由之路无间之战江山美人1959尸潮汹涌地下忍者笑太极