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James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?陌陌影视陌陌影视樱花影院6080影院去联谊却发现没有女生紧急审讯室4王牌保镖（国语版）绝命休息站逆转裁判热带启示录男生宿舍欢乐多花田错后宫里的唯一男人爵迹·临界天下爱玛帕特和麦克LIFE2 给予者接受者热爱美丽的契约波吉亚家族第二季芳华初梦最棒的欧巴桑 中岛春子 2活泼的小姐母亲节2016亡灵之手深渊宝藏最后的宣判秘书圣石传说恶缘
James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?陌陌影视陌陌影视樱花影院6080影院去联谊却发现没有女生紧急审讯室4王牌保镖（国语版）绝命休息站逆转裁判热带启示录男生宿舍欢乐多花田错后宫里的唯一男人爵迹·临界天下爱玛帕特和麦克LIFE2 给予者接受者热爱美丽的契约波吉亚家族第二季芳华初梦最棒的欧巴桑 中岛春子 2活泼的小姐母亲节2016亡灵之手深渊宝藏最后的宣判秘书圣石传说恶缘